Pokemon Heartgold Catching Shinies

There is an Italian film on bulls with Padilla




's all in the title I just seemed to shoot everything at once: for it is useless to deny that the persons concerned so I know exactly who the readers of the blog are hiding many admirers of the cyclone in Jerez, so this news is mainly for them.
Moreover, en passant, in recent times we have seen the sideburns understood as head of the fight, and toreare also well above the head.

And therefore that by probing the depths of the network turns out this Torero, between dream and reality shot by the Italian Federico Bruno.
Among the actors, in fact, Juan José.
I know very little, for now, any more than you can read on the site of the director.

But we hope to recover soon and tell you about it soon. Moreover
an Italian film about the world of bullfighting, with lots of Padilla in front of the camera, deserves our attention.

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protagonist in a bar in Cuneo


A Ruggero like good wine and the bulls, and this is my friend Roger.
Oh Lord, my character has many other admirable qualities, including a spontaneous affection and kindness, but I would love for the product of the screws and the product of the field me closer to him in a particular way and inevitable.

Roger a couple of weeks ago went to Cuneo for business: it takes a caffettino, must have thought, to start the day.
walks into a bar, one of those bars that populate the anonymous provincial town - a sandwich display case, display of potato chips and Pepsi plug, television hanging on the wall and bottles of Averna and Montenegro on the cabinet behind glass al bancone, appliques alle pareti per dare la luce - e che qua Ruggero individua alla base di un condiminio, sotto un porticato anni settanta che il baretto condivide con un'agenzia immobiliare, una toeletta per cani e una tabaccheria.

Ruggero prende la sua tazzina e getta uno sguardo al locale per cercare Tuttosport, e con ogni probabilità lo troverà sopra al frigo dei gelati.
Ma oplà, si accorge che davanti a sé sul muro campeggia, tronfio, un cartel taurino.
Ruggero si stropiccia gli occhi, mette a fuoco meglio, ma l'immagine non lascia dubbi: c'è un signore vestito di luci, che con un panno rosso guida la carica di un immenso toro nero, il tutto sovrastato da scritte tronitruanti.

Ruggero dimentica il caffé sul bancone e si avvicina.
E' l'affiche della feria del Riso di Arles, 1978.
10 settembre del 1978, per essere precisi.
Cristo, sul poster c'è proprio tutto: i tori e gli uomini.
Sei cornuti di Marcos Nunez, per Paquirri, El Viti e Manzanares.

La tazzina è ancora lì, Ruggero si deve essere incantato, il manifesto gli ha evocato i ricordi di tanti pomeriggi all'arena, il clamore della festa, la sofferenza sui gradini, le bevute liberatorie a fine pomeriggio.
Si guarda intorno, come per verificare di essere davvero a Cuneo, in un bar di Cuneo, e di non aver allucinazioni da astinenza.
"Ma voi lo sapete chi è Paquirri?". A Roger
these words come from the sun, listen to his voice as he rattles off the question and asks if that is his own voice, but he knows the answer, yes, it is he who is speaking, and he and whoever else is he who speaks and who does not know either.
The bartender, busy to prepare as best the top box of croissants, rolls his eyes, moves his eyes from that client in that manifesto, and yet from that client in that manifesto.
"I've never seen a bullfight, I, but my dad always spoke to me of Arles, it was he who went there."
Roger turns to the boy, and no doubt will continue.
"Paquirri was a English bullfighter, one of the greatest of his era, is died in the arena in the mid-eighties. "
The other patrons of the bar approached the two, who leaned against the counter, who remained standing there with his hands behind his back, bringing his chair closer who is an eight or nine Lords of Cuneo, no longer young, to say the least.
white hair, jackets, moleskin cut out of style on which they have the best shades of gray or brown, some have glasses and stick someone else.
A small migration quiet and discreet, but now these gentlemen encircle the bar, Roger and the manifest.

We at this point is trance.
no longer in Cuneo.
E 'in Pozoblanco one evening in September and tells of that bull named Avispado of that tragic horn to the right thigh of that lap of honor that made the coffin in the arena at Seville.
E 'in Madrid and with his words open its doors to six times the big port of Las Ventas, the six times Paquirri triumphed over the sand.
Roger is no longer in Cuneo.
E 'to the sumptuous Maestranza Seville and then in free-range square of Tafalla, bullfighting is in the museum in Bilbao and in the immensity of field, where the bulls, you know?, Living four years in the most absolute freedom, cared for and loved.
And then comes in Arles, of course, and there are no more coffee and croissants on the counter, only a long theory of glasses of pastis, their hypnotic and seductive scent, there lined up and ready to be executed immediately rise again.
Roger is no longer in Cuneo, is now in Arles as Paquirri, El Viti Manzanares and in that September 78, and recounts that the Roman circus, the festival of the streets and cellars, dishes of rice and bull, the endless toast, of novigliade the morning and afternoon bullfights, the thousands and thousands of miles made in many years, says Roger of Arles and is passionate about, is there, the brass bands play, the children chase and attack the bulls on the Boulevard , bullfighters come in triumph on the steps out of the arena and bullfighting on foot, looking grim and low There are the magical light of Provence and the sunsets that inflame the roofs, beer nervous before entering and leaving the beer sweet, greetings, hugs, the picadors arriving on horseback, making the Sunday morning and flamenco bulls everywhere.
The poster on the wall of that bar almost comes alive, seems to see that muleta flutter, feeling the puff of the bull, it seems that the bullfighter is alive, seems to feel his eh, bull, eh!

Silence. The bartender
have a croissant in hand, there has since stopped Paquirri live, Pozoblanco.
These gentlemen are there, each of forty minutes in the same position before, but now someone's mouth open, or long neck to feel better, or soppracciglie arched in an expression of curiosity and wonder.
There is silence now, but it seems you hear the echo of a pasodoble , which comes from the street. Roger

now remember two things.
One must drink the coffee: it takes the cup, close to the lips, and cold black liquid drops down to the mouth. Normal, he thinks. Two
, Cuneo has come to work and not for a conference taurine.
Shit, is very late.
gathers her two things, puts on his jacket to the good and sweaty and worried it feels in my pants to look for a euro, while divided in a confused How long?
"Coffee is paid for!" meet the gentlemen in chorus. We offer ourselves, do not go and later. Roger

measure the distance from the counter long strides to the door, run out, it's late, then on the sidewalk, please note that it did not even say goodbye.
He turns back, put your head in and is still all in the same position, all. It feels
one of these gentlemen: "... moreover, Arles is only three hours from here, eh!"

(a cartel of the most famous of all, taken from Torocartel )

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Duri


Fabio Capello, for yours truly memorable and successful coach AC Milan (four championships in five years, three consecutive European Cup finals, one of which Barcelona won the crack) is aficionado of the bulls.

tough he was, like Capello to hard.
Victorino Martin, El Fundi, Pepin Liria, El Tato.

Benzonatate And Nyquil

Tori Fréjus


Fréjus.
As the tunnel, just at the exit on the highway there is a panel depicting the Roman arena.

not even know that there was a country called Fréjus.
The name jumped out a month earlier, referring to those few sites that bull at the time peeping on a monitor. Fréjus. He was planning a bullfight in a country with that name in mid-July.
Cesar Rincon, El Cid, Castella.
was 2005, to March, we saw our first running of the bulls and the virus was now working inevitably, not aggressive 's afición rarely has the inevitability of love at first sight, but slowly and inexorably.

There was a row, people thronged the entrance to nestle in the circus and take place.
was sunny and it was hot.

Fréjus is the magic of earlier times, of those fights that went with the innocence of childhood, of those bulls that were following as explorers of unknown lands and unknown.
Fréjus is that lady round and ruddy, an Andalusian hat on his head, a red flower in her hair white and unappealing, at which he sold to tourists and banderiglie aficionados.
That same lady was selling it then others, this time stained red with blood, leaving the race.
Fréjus is that band who crept among the tables in the bar, under the branches, where men and women and children in the shade and enjoy a cool glass of beer, the gang that attacked a sumptuous melody and epic, impossible not to immediately fix the memory.
Vino Griego, the first time I listened Vino Griego.
Tatatataaaaaaaa.
Fréjus is the people in line.
Fréjus is bullfighting, our second fight, the buio.
Castella che torea in mezzo alla pista e un gabbiano che volteggia lento sopra la testa del toro.
El Cid incornato.
Fréjus.

Fréjus nel sud della Francia, appena di qua dal Rodano.
La spiaggia si affaccia su quel mare che con i suoi riflessi certifica che siamo sulla Costa Azzurra, il paesino si illumina dei colori e profuma degli aromi tipici e unici di quella Provenza poco lontana da qui.

La prima corrida a Fréjus è stata data nel 1905, sotto le volte della sua arena romana, sorella minore dei circhi di Arles e Nimes: e fu dunque negli anni '50 che la tauromachia nel paesotto ebbe il suo slancio definitivo, e gente come Picasso o Cocteau frequentava assiduamente quella plaza de toros .
The arena of Frejus.
The same arena that played a key role in the winter of 1959, the dam broke Malpasset, and unleashed a wave of 40 meters down the valley to overwhelm the city.
423 deaths, which could be much higher if the arena, that arena millennia, had not a barrier breaking strength of that monster distuttrice water, protecting its citizens.
did not know, that on July 16, 2005, when we sat on those steps at the first notes of paseillo .

For the 1960 season, almost as a heartfelt tribute, arenas were put to new and equipped with a functional structure.
Dominguin here in '63 to attend a novigliada, sitting right next to Picasso: Luis Rodriguez invited him to put a couple of sticks, the number one then jumped on the track but fell awkwardly and svirgolò ankle. Dominguin returned in '72, when he obtained a good success cutting the ears of his second, which he had devoted a few minutes before Romy Schneider, sitting in the front row.
Over the years, the city is increasingly tied to its arena, whose runway was to perform the best fight the best bulls and bullfighters.
Here in Frejus 1968 El Viti was the subject of a sound Bronca , and before boarding the van with his subordinates is took off his shoes and threw them, not wanting to carry, back home, not even a grain of sand to the track.
came here in '74 Nimeño II, which saw its first Noviglio jump the boards, break through a door and be outside the arena, on the lawn that surrounds it. Striking a head was brought inside, and killed. The same
Nimeño II fought his last bull in Fréjus in 1986 in the evening, chatting in front of a glass, the surgeon said that the arena in fact two of them did the same job. Torero and doctors are there to conquer death. That

July 2005 we did not know who he was Nimeño II, but we've come to see a bullfight in Fréjus. It was sunny and Rincon opened the dance. There was
Rincon and we did not know that on that same track so many fighters who left their blood Paquirri, which seriously wounded in the leg refused to go to the infirmary and wanted to store his bull before dropping exhausted into the arms of companions, Pepe Luis Vargas gored in the abdomen 83; Stephane Meca in 2000, with the abdomen opened by a horn of a Hermanos Peralta, the ambulance had to wait stoically, late ... because blocked by antitaurini out there.
Or finally the horror experienced when nel'98 Conrado Gil came just one step away from death under the blows of the horns of a bull Pedrosa and saved him a miracle.
Here at Fréjus
passed El Cordobes and Antonio Ordoñez, Paco Ojeda and Palomo Linares, and the bulls of Prieto de la Cal, Palha, Nuñez del Cuvillo or Yonnet, Tardieu.
E 'on this video with sand Palha, for the first time in its history, its bull.
E 'here in Fréjus 13 August 2006 Juan Bautista pardoned a bull Victoriano del Rio: and in that same bull Julien Miletto killed the last bull in the history of taurine Fréjus.

Since 2007, the arenas are closed, ostensibly to work.
But the mayor now has clear ideas.
After only a few years ago, publicly and strongly advocated the importance of bullfighting tradition for cultural identity and history of Frejus, Elie Brun Monsieur in November 2010 told the local press that the arena Pablo Picasso (named so from '64) there are no more bullfights.
Not content with a few weeks later and at the traditional date of Christmas wishes, for an audience nurtured has candidly confessed that "I do not care about the bullfight."
Since then, the club of bullfighting fréjussien Lydia has launched a vigorous campaign of denunciation and action to prevent this extraordinary heritage is lost forever.

Fréjus for us is that second fight, that sun and that track, those tori che non capivamo e pure ci affascinavano enormemente, e quella versione di Vino Griego.
Fa male sapere che non ci torneremo più.


(alla storia taurina di Fréjus, la rivista Toros ha dedicato un numero monografico particolarmente interessante: è il 1895, del gennaio scorso, e quella in alto ne è la copertina)

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Corso per assaggiatori di salumi a Sirmione (BS)

overflights over what my favorite meats, fly over because I can not participate due to lack of time, but I am pleased to report that the ONAS (National Organization tasters meats) for mid-March to organize a course for Sirmione would-be tasters of sausages with a final exam, issuing the license and technical assessor. The following lesson plans, which will be held at the Hotel in Via Mauro Lazzarini.

· 1st lesson: SENSORY ANALYSIS: physiology of the sense organs, qualitative and quantitative analysis,

, panel test (Friday, March 18)

· 2nd lesson: THE PIG: from breeding to slaughter the pig from organic farming. Indigenous breeds (Saturday, 19 March)

nd 3 rd lesson: RAW MATERIALS IN THE PRODUCTION OF MEAT: chemical, physical and microbiological (Saturday, 19 March)

° 4 ° lesson: VARIOUS CATEGORIES OF MEAT: cooked, raw, smoked. ORGANIC PRODUCTS (Saturday, 19 March)

° 5 ° lesson: MEAT DOP-IGP-ST, traceability and labeling

· Examination FINAL Hands - (Sunday, 20 March)

At the end of each lecture are provided tastings of the main meat products. The cost of the course is of 130 €, inclusive of registration fee all'ONAS for the current calendar year (37 €). For information and registration: Aurelio Weapons (referring of course) 333/1629246, legoloserie@circumnavigarte.it, a.armio @ gmail.com, @ libero.it onas.cn.

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What toreare




"Torea tutto ciò che sta tra i tori o con i tori. Torea quello che fugge da un toro che incontra sul cammino. Torea il bovaro che separa i vitellini dalla madre, che cambia stalli ai tori, che seleziona una corrida, che la mette da parte, che va e viene tra i tori e con i tori in the daily chores on the farm. Torea the spear that brings out the beast, the chases, the nags, the limelight. Toreano those who took the calf during branding. Torea the boy in the village feast, with a new shirt, which chased seeing waiver to take refuge behind the great carts. Torea the public arena with gestures and movements, shouts and applause for what he sees, what he wanted to see and for what it believes to be the sector. Torea impresario, Tore the president of the bullfight and Tore the writer of the bulls. "

- freely adapted from torear Qué es? , Gregory Corrochano, ed. Bellaterra, 2009 -

(photo Ronda)

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Saint Martin de Crau 2011


Yes we have a soft spot for those arenas of the second or third category, in the midst of tiny villages and remote, which stubbornly put the bull in the middle of their programming.

Saint Martin de Crau is one of these: site program for the Feria of April .

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Why are we going to see a bullfight

Mi chiamo Michele ed ho scoperto per caso il mondo della tauromachia due anni fa durante una trasferta a Siviglia. Da allora per me è stato un crescendo rossiniano tant’è che l'anno scorso mi sono giocato le ferie avendo fatto quattro viaggi (Arles due volte, Bilbao and Ceret level) to see the bullfights.

I think the term that best defines the reason why I am passionate about is emotion.

it is inserted in everything I feel and everything is born already in the preparation of the move. Organization of a discussion with his wife and friends, the choice of the place (sometimes random but always, always, of knowledge and then gives reasons for growth and interesting ideas) to choose which fights to see. Everything is stimulus and emotion from the purchase of tickets outside the arena with beer, entry into the arena to share with the people close to me (now my wife!).

feeling for me is to see the fighters enter the arena and all the quadrille, see the bull out and placed in the center to challenge all proud, to see the relationship created between the bullfighter and bull, and between them and us the public, for me is emotion and sometimes shiver down my spine the silence before the final thrust, a thrust is pure adrenaline perfect, but it is also exciting to see a whole faena well made, and emotion the courage and respect for the matador against the bull, but it is as exciting pride in these wonderful animals who realize that they are the protagonists.

's why the world of bullfighting I came in completely and è per questo che sono felice di viverlo.

Michele Saladino

(foto Ronda - per inviare il proprio testo: alle5dellasera@tiscali.it )

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photos (8) The bull blue

(foto Ronda)

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El Brau Blau the title of a film is amazing, and for that matter extraordinary.
A single character and no dialogue and no voice, except for that which peeps from home runs a couple of times, no music except a few rare passage of a Bach chaconne, an endless silence, only one scenario - the home of the protagonist and the campaign out there.
E Nenci a bull.

Not one bull yet El Brau Blau is a deep and penetrating tribute to bullfighting and bull bullfighting in its pure essence, a vision of eternal ancestral challenge the power of human nature, bullfighting as inevitable affair between man and bull, as the center and engine of life and the world.
El Brau Blau is the story of total love for bullfighting, so strong and absorbent become obsession and obsession that eats together and gives meaning enough AOLA life of a man, a man who thought for bulls born again and that thought for the bulls, simply and without the other, lives.
E 'bullfighting primordial human need as more than as human activity, cultural or artistic or anything that may be, is the bullfight as a measure of experience and human figure.

A film about the bulls, but the (usually) do not film on bulls has nothing. Even the bulls, in fact.
But among other things has the long, beautiful final sequence, an arena in the desert of stones out of time, which moves and is an authentic jewel of poetry and passion.

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today rediscovering MY FEET .... FEET AWAKENING

I reflects this image and those feet might be too powerful and my ankle ankle forced ... (you can do is an obsession since childhood )
be thinking that your feet with the kitchen are not a girlfriend ... well
I raise you: I have given the highest attention to them (pitted nails neat and 365 days a year) and having the confidence gained from years of dance ... you can rest assured ... perfect care and cleaning, which is fitting the kitchen:-D
Then sorry, but you also talked about Pilates?
Ok, I digress.
La riflessione che mi porta a scrivere questo post oggi è la sensazione di benessere ritrovato stamattina al risveglio.
Nel we ho partecipato a sessioni di lavoro per teachers di Cardiolates belle massacranti...
 Grande Barbara !!!
Invece di svegliarmi come se li avessero tirati fuori dal tritacarne 10  min prima,  la sensazione è stata di "piedi nuovi" !!!
La riflessione si è fatta davvero importante e ha occupato parecchi pensieri della giornata..
Rileggendo il testo....cito un articolo di un sito web dedicato al triathlon :
"Nei piedi sono presenti più di 20 muscoli . Oltre a questi, circa 10 muscoli situati nelle tibie sono collegati ai piedi, arrivando a total of more than 30 muscles. These muscles serve to move his toes, beat his feet off the ground, absorb shocks and to support the arch, Yes, there are muscles that support the arch.
Somehow we are led to believe that all the shoes we have to support the arch of the foot. This is true with regard to distance running. But not the rest. Taking too much reliance on high-tech footwear, designed for foot problems, generate for standing against the weak who need constant support.
A surprising fact is that in less industrialized nations of the world there was a lower incidence of people with diseases of the foot. Why? They tend to use all the muscles of the feet. "
This small break of non-work is giving me the" one "to make a lot 'of new business approach.
therefore picking up the work I'm going to put a small thread, a topic that will link all the visitors, using 5-10 min to devote himself entirely to the attention of the lesson, the proprioception of the footwork.
The protocol in question will contain:
-Proprioception on rebound;
-Propaedeutics rebound;
- Exercises standing with tennis balls (proprioception and balance);
- Exercises on "Chair" pilates;
- Exercises standing on Disc'o'sit Fit fot you, I know ...
have technical information ...
I refer you to a video documenting the work
(or a little lesson with me:-D)

Rollerblading Foot Pain

Five million reasons

premise that those in the title are five million calling Mubarak's niece to be quiet. En passant, we express all our sense of disgust for the events of the bunga bunga, as well as our human concern for the poor sick old man. It 's time to treat him seriously.

The five million of those are therefore entitled, in pounds, which in the mid-fifties such Carlessi Louis won a Double or nothing.
The lucky contestant was presented to rispondere a domande sulla corrida.

Cliccate sull'immagine qui sotto e leggete l'intervista a Carlessi che la rivista taurina El Ruedo pubblicò nel 1957.
C'è dentro tutta la passione di quell'uomo ma soprattutto c'è dentro un altro mondo, un'altra epoca: quella in cui un italiano, pasticciere e panettiere, si abbonava alla stampa spagnola o a riviste messicane e boliviane per avere notizie sempre fresche sui tori. E poi prendeva la macchina e andava a Siviglia o Malaga o Barcellona, in Spagna"tredici volte" in sette anni per vedere "questo meraviglioso spettacolo".
La passione ai tori, quando ancora Ryanair e internet erano fantascienza.
E quando si poteva parlare di corrida in prima serata, da Mike Bongiorno.





(with the kind of reporting Marco Coscia)

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Some

very happy to receive and publish this paper, authored by the name of Amadeo Riva Castaneda, aficionado of Milan. We stress our
in the text and the call to defend our beloved fiesta brava.

SOME REASONS TO DEFEND OUR afición bullfights

Year after year, the number of foreigners from countries with no bullfighting tradition che,visitando la Spagna, si interessano alla corrida: e fra questi tanti italiani. Chi li osserva dall’esterno, può giustamente domandarsi: come è possibile che in Italia persone di buon livello culturale accettino senza incertezze la messa a morte di un animale e che spendano fior di denari per presenziare a uno spettacolo così sanguinario? Ciò è moralmente accettabile? E poi,dal punto di vista etico, è difendibile l’idea che il matador, per concludere il suo lavoro , metta a repentaglio la propria vita?

I moralisti, nei secoli scorsi, have always condemned the spectacle of bullfighting because man should not stoop to the level of the beast. "Today," writes the French philosopher Francis Wolff, "the criticism was reversed: the fighting man, degrades the animal. The convictions of the bullfight are made in the name of the respect due to animals, not humans. " The animal increase, day by day, their influence on public opinion in Western Europe. They, indeed, need not strive too much: are all witnesses of how the animals are mistreated and commodified: just look at conditions under which chickens are reared and pigs for human consumption.

But in homage to the new principle, which states animals are carriers of rights, animal rights are all lumped together: in their speeches put together hunting, vivisection, factory farming and bullfighting, not distinguishing, for example, between the living conditions of pigs (terrible) with those of the bulls lidia (best possible), between the death of bulls in the arena and the anonymous calves and moving in slaughterhouses and forgetting that although an animal is not a cos is not even in the totemic animal with a capital A, and that can not be compared to 'man.

The fighting bull is not a thing, is not similar to Man and is not, nor the passive victims of men: the bull is a being endowed with a unique personality , that must be addressed by the man with the respect due to its unique characteristics.

to judge calmly bullfighting bulls submit it to sufficient scrutiny of two simple rules morali: subordinare il rispetto dovuto a certi animali (come i tori) a quello dovuto agli uomini e adeguare la nostra condotta alla considerazione che dobbiamo alla loro natura intrinseca .

“La corrida”, sottolinea il professore Wolff, “non solo rispetta questi principi, li concentra”.

Chi osserva il fenomeno (in verità anacronistico) della corrida si pone però un’altra domanda: che senso ha, nel ventunesimo secolo, affrontare un toro per ammazzarlo?Perché un giovane decide di dedicarsi professionalmente a questo strano mestiere? The answer is this: the young, to unlike the old, tend to want to deal with dangerous situations despite natural fear trying to drown, if reassuring flaunting themselves and, if possible, before peace their friends (despite the potential unexpected: the horns, wounds, death ...). Among them, the guys who decide to become professional bullfighters do not only to attract the admiration of all but also to win glory and (rightly) wealth. But there

a deeper reason to kill, before a paying audience , an animal: the young bullfighter, to strengthen his character must somehow win their anxieties and , to do so, challenge the animal most beautiful and powerful that there is, the bull fighter. "You who are so strong, kill me if you can! ... And since you can not (because I'm smarter than you), it is I'll kill you."

And after the deadly thrust, the matador, for a moment, he feels an omnipotent being ...

But bullfighting is not only deadly struggle or agony come lo fu fino ai primissimi anni deNovecento. Con Juan Belmonte, il rivoluzionario, il toreo (inteso come l’azione che intraprende il lidiador per ingannare, con una cappa o una muleta, il toro) cambia radicalmente. Belmonte non si sposta quando arriva la bestia, come erano soliti fare tutti i toreri fino ad allora, ma inchioda le scarpette nella arena e con un gesto elegante delle braccia fa girare il toro intorno a sé due, tre, quattro, cinque volte. Ed è proprio in quei momenti che il toreo diviene in arte , parola che per definizione significa dare forma umana alla materia grezza (nel caso del torero fornire un senso estetico ai propri movimenti nell’affrontare la carica cieca, istintiva, grezza del toro…).

Attenzione però a un particolare sostanziale: quando dico toro, intendo un animale integro, non sottoposto cioè (come purtroppo succede) a particolari manipolazioni di tipo genetico, farmacologico o meccanico, leggasi, in quest’ultimo caso, le operazioni per l’ afeitado (taglio o adeguamento) delle corna.

In questi anni lo spettacolo che ci appassiona è minacciato non solo dalla moderna sensibilità sociale e dalle campagne ideologiche promosse da diversi gruppi politici e dagli animalisti , ma lo è soprattutto dalla miope gestione della fiesta brava da parte di impresari vecchi che conducono i loro affari con metodi ormai obsoleti, interessati soltanto al guadagno; da personaggi provenienti da altre attività che con i loro soldi acquistano partite di vacche e sementales da un famoso allevatore dei cosiddetti tori artisti (cioè docili, miti) per diventare , da un giorno all’altro, ganaderos e potersi pavoneggiare davanti ai loro amici e conoscenti, and apoderados that advise their fighters to deal exclusively bulls guarantee (read bulls not particularly strong or aggressive).

Obviously, in these conditions the faenas tend to resemble one another and produce all the spectators a sense of boredom, entertainment déjà vu. The bullfighter that moves, moves that may bore the audience.

If this bad habit, add the effects of the economic crisis that hit particularly Spain, already torn apart because of the controversy policies on the prohibition of bullfighting shows in important regions such as Catalonia, it is understandable why so many people has turned his back to the arenas and because last year is reduced the number of fights around the country. In these

(depressing) circumstances, it is necessary that the aficionados (for people living bullfighting paying the ticket, like us) will react and become more demanding with the "bull" (the professionals, those who live of bullfighting) to force them to return to fiesta brava the emotion that causes faena an artistic, but made against a bull in possession of all his attributes.

The bullfighter performs in front of an animal movements superfine weak (or weakened ...) does, if anything, the art of dance is not the art of Tore: the future of the fiesta brava could, in this case, be at risk.

Cleave, then, the bull is 's commitment that should take over, fans English, French, Mexican, Peruvian, Italian, in short, all the fans in defense of their afición (as us ha suggerito di fare il Premio Nobel 2010 della Letteratura il saggista e romanziere peruviano Mario Vargas Llosa).

Nel nostro piccolo, diamoci da fare per dare il nostro contributo alla sopravvivenza di questo spettacolo di coraggio, di bellezza e (si spera) di verità.

Amadeo Riva Castaneda

(foto Ronda - Ceret)